#contract process

[beaft]

funny to think that when i was a kid i was all "i REFUSE to ever work an office job, i am a wild creature, my spirit is free and tempestuous and cannot be contained within cubicle walls" and now at the age of [REDACTED] i'm like please. please give me an office job. please give me a sensible office job where all i have to do is get up at the same time each day and clock in and send emails and clock out again. i am on my knees begging.

[hoovesandfloorpaws]

"That said, both Styles and his therapist have questioned why he cares quite so much about being likeable. This is one of the things he thought about a lot in his big pandemic reflection. In part, it's a choice, he explained. He recalled moving to London after The X Factor and hearing tales of petulant celebrities screaming because someone got their coffee order wrong and deciding to never be that guy, to never give someone a petty reason to bad-mouth him. But more recently he's come to worry that the drive for approval came from a more complex place, a place of caution, fear, control." "Styles said he often spent interviews terrified about saying the wrong thing until he stopped to question what abhorrent belief or bizarre opinion he was scared he'd accidentally reveal and realized he couldn't think of anything."

"And he thought about the cleanliness clauses in the contracts he used to sign, which would dictate that they would be null and void if he did anything supposedly unsavoury, and about how terrified that used to make him. And about when he signed his solo contract and learned that the ability to make music would not be affected by personal transgressions, he burst into tears, a reaction he still seemed shocked by, retelling it to me now, years later. "I felt free," he explained."

"When Styles began therapy about five years ago [so in 2017], he was reluctant initially, feeling it was a music industry cliché. "I thought it meant that you were broken," he said. "I wanted to be the one who could say I didn't need it." He returned to the home theme that has underpinned our conversation, explaining that therapy has allowed him to "open up rooms in himself" that he didn't know existed, allowed him to feel things more honestly, where before he had tended to"emotionally coast.""

"Recently Styles began to work through issues related to intimacy, dating, love. "For a long time, it felt like the only thing that was mine was my sex life. I felt so ashamed about it, ashamed at the idea of people even knowing that I was having sex, let alone who with," he said."

"You look back, especially now there's all the documentaries, like the Britney documentary, and you watch how people were abused in that way, by that system, especially women. You recall articles from not even five years ago, and you're like, I can't even believe that was written."

He has been thinking a lot recently about autonomy, ownership, privacy. About what he should be able to keep to himself, what he should be able to simply communicate through his music without follow-up questions or prying. Around the time of Fine Line, he faced scrutiny around his sexuality. People became incredulous that he wore dresses, waved Pride flags, and yet hadn't clarified with precision, publicly to a journalist or on social media, the specifics of who he'd slept with, how he defined. This expectation is, to him, bizarre, "outdated." "I've been really open with it with my friends, but that's my personal experience; it's mine," he said.

Despite the acceptance that some things could, should, have been different, he still feels lucky every day, he said, lucky to make music, lucky to do what he loves.

"You can't win music. It's not like Formula One," he said. "I was like, in my lifetime, there will be 10 more people who burst onto the scene in that way, and I'm only going to get further away from being the young thing. So, get comfortable with finding something else that makes you happy. I just found that so liberating."

"I just want to make stuff that is right, that is fun, in terms of the process, that I can be proud of for a long time, that my friends can be proud of, that my family can be proud of, that my kids will be proud of one day," he said.

-- original interview link, Better Homes And Gardens Magazine 26 April 2022 (remake of this post)

[serpentface]

A Nesi male showing off his brightly dyed cloak and hood to a partnered pair of prospective suitors (a hen and a faeder, these are not constructed as wholly separate genders by the Nesi), in hopes that he will be chosen to sire and raise their offspring.

Ornamentation that so thoroughly conceals a cock’s breeding plumage is relatively rare among qilik peoples. The exception here is due to the extreme significance of trade and mercantilism in this culture, resulting in a heavy prioritization of the quality of the costuming over the quality of one's own plumage. Colorful, high quality decoration emphasizes that a suitor comes from a wealthy family with secure trade connections, an ideal situation for one’s offspring to be raised in.

There is no permanent association between parents, rather the goal of this union is to best provide for the resulting offspring and to receive a hefty child price from the male suitor’s family (children of all sexes remain with the father’s family, and are effectively ‘bought’ by them.) The mother's family benefits from the money and goods received in this exchange, the father's family benefits from having additional children who will eventually provide labor and care for other family members.

This particular individual is of upper-middle class means, an especially rich mercantile family can afford more ornately woven robes with a greater variety of colors. The parts of the body deemed most attractive (the tail fan, the brow plumes, the seasonally bluish legs) are the only parts exposed. There is some intra-cultural division over whether even these parts should be exposed, as it is sometimes seen as a desperate or wanton diversion from a suitor being unable to afford more extravagant costuming.

Hens, faeder, and cocks all wear minimal clothing in day-to-day circumstances, with the exception of headdress (as seen here with the couple)

Nesi are a relatively genetically isolated population in spite of their significant trade relations, maintained partially by cultural resistance to reproduction with foreigners who do not share these customs. The population is distinguished by many individuals having naturally whitish and brown-gray feathering that acquires bright reddish pigmentation from a diet heavy in crustaceans.

[ambeauty]

Ok let’s discuss partnership agreements for a quick second. I own a business and I have a partner. It’s common and it’s necessary to have a partnership agreements. It’s going to list the official profit share, how much time each partner is going to commit, what skill each partner brings to the business, and what factors are in place in case one partner wants to leave or dissolve the business. This is a very basic overview of a partnership agreement. Sydney needs this. It will legitimize her position as partner in the Bear. So Carmen extending this agreement to her is significant. He can’t necessarily force her not to leave but they have to have a protocol in place in case she wants to. It could get sticky but not if they follow the agreement. Unless she doesn’t sign it…

What’s strange to me is him saying “So I can push you and you can push me.” This makes me think he knows that he’s going to get toxic and he doesn’t want her to just walk out like she did in review. It’s like saying “for better or worse.” And also tell me when I’m fucking up because I don’t want you to leave. I have it in writing how much you mean to me and this business. So neither one of us can just fuck off when the going gets tough. Signing this agreement would make her (both of them) contractually committed to working things out with him even when it (he) gets difficult. That’s still a spiritual marriage. A business is a marriage and a (legal) marriage is a business.

[ringsy-flamingsy]

Approximately four more months until Schlotti is back on the pitch...

[touchlikethesun]

we talk all the time about how those characters would NOT be having well negotiated kinky sex, but i think of all the mxtx couples moshang would really benefit from a beginners course in bdsm or at the very least they should read a manuel and draw up a contract, like given their history, their communication styles, and their dynamic at the end of the novel, it would be a net positive for them

[genderful-ghoul]

I just want to make clear that the emotional and mental toll of what the bullies in this fandom are putting JT through is also hurting the rest of the band, and likely even more people behind the scenes.

I encourage anyone who spent energy bullying JT to instead use that energy to show up to the 50501 protests working to get the rapist in charge of the most powerful country out of power.

When you struggle with moral OCD and/or have lower emotional intelligence, you need to manage it by learning to place your energy in the right places. Interfering with allegations that haven’t even had the chance to go to court is not the right place.

[nofacednerd]

As much as animated shows getting cancelled is awful and tragic and displaces so many employees from work for an extended period of time to the point where there might (MIGHT) be a strike about it, I do love the trend of “what are you gonna do? Cancel us more??” And going balls to the wall with as much queer content as humanly possible last minute

[thelaurenshippen]

open ai made a little post about how they chose their chatbot voices and two things stood out to me:

a) I am genuinely pleased and surprised that the voices come from specific real people that they hired and paid, rather than being built off of all of the data open ai has scraped. the voice for siri did one job for one company 20 years ago and now she is literally everywhere without ever being compensated by apple or even acknowledged as the voice. there's simply no way she was paid enough in that original job. whereas, open ai says "each actor receives compensation above top-of-market rates, and this will continue for as long as their voices are used in our products." this could mean literally anything (what market rate are we going above? does continue mean they get residuals or get paid for doing more sessions?) but, christ, at least the actors are doing it with full knowledge of what their voices are being used for and can decide for themselves if the compensation is enough

b) the post talks about working with "award-winning casting directors" to get the voices. first of all, yay for paying casting directors! we love to see it. but they also say the CDs received over 400 submissions in a week and they state that like a big number and it's just...not at all. and look, without knowing the intricacies of the casting process, it's hard to know what approach the CDs took - it's very possible they were selective from the jump and 400 is a lot from the pool they were tapping. 400 would be a lot if you were going to the agencies directly and asking for names, but there's just no way in hell open ai went after big stars for this. so it would've been a pool of unknowns. in which case, 400 is laughably small. even if you're not using the big casting sites like actorsaccess, I've worked on projects with CDs and their own internal systems where we've gotten over 100 submissions for a single role. I've posted roles on casting sites and received literally thousands of submissions in just a few days

look, I have a very limited perspective on this - I am not a casting director (imo, one of the most important and undervalued jobs in hollywood) and I, in fact, hate the process of casting with a passion. but 400 just seemed like such a tiny pool to pull from and, idk, it heartens me! it's heartening to think that there's very little interest from actors and agents to be doing this kind of stuff. and absolutely no shade to the actors who did--I want actors to get their bag however they want as long as it's, like, safe sane and consensual, you know? but there's something encouraging about thinking that open ai hired some big casting agency to get their foot into the voice acting door and people didn't come running

[boypussydilf]

continuing to think about data a lot. juliana says they hoped the logs and memories of the people from omicron theta would give data Something To Work Off Of For Social Situations. i wonder to what extent he did reference them at first. like, in thine own self when he loses his memory for a minute he just blankly repeats everything that's said to him until he seems to remember how to actually form original sentences. i can imagine data after first being found and activated just directly quoting sentences from the journals in his brain until he works out how to actually use language himself.

[lightbulb-warning]

so has anyone figured out WHY there is the Need To Share our Artworks™ or is it just the vibes and our Soul apparently

[ethan-elliott]

WAIT WAIT “it felt so real, but now I plead just take the deal, I promised you a contract” ohh is he going back to Nico. he’s talking to Nico rn. he used to promise to be Nico’s perfect little weapon and he broke that promise by escaping (tho he’s questioning if he even did??? because the influence was always there???) AND-

[cementcornfield]

.

[the-architect-of-ferrari]

WAR IS OVER GUYS!! WE FINALLY KNOW WHERE HE’S GOING

[bitchfitch]

I have the general rule that I just, don't let myself give a shit about other people's dumbass opinions but I have one pet peeve that I just. Can Not let go of. and it's posts that go

How to write [Minority Group]!

Step 1: Make sure all your characters are exactly like me the op, or are exactly what I like to see in media.

Aside: Anything else is impossible, unrealistic, bigoted and you'll go to hell forever.

Step 2: They also have to use the exact language I do to describe themselves btw, no matter the time period or setting. See the above aside for further explanation.

Step 3: you should never ever even think about the actual mechanics of what makes a trope problematic in its impact in the real world. J ust memorize this list of things that should be banned in all fiction (for being problematic because I don't like them/someone else I agree with said they should be banned)

Step 4: Nuances in identity don't exist <3

[ungoliantschilde]

“a Contract with God and Other Tenement Stories”, by Will Eisner.